People's Democracy(Weekly Organ of the Communist Party of India (Marxist) |
Vol.
XXVII No. 03 January 19, 2003 |
Kamal
Haasan
Pays
Tribute
to
Safdar
Hashmi
Anbe Sivam Film Preview Show Held By SAHMAT
ONE
of
the
greatest
actors
in
Indian
cinema,
Kamal
Haasan,
paid
glowing
tributes
to
Safdar
Hashmi
at
a
special
preview
screening
of
his
latest
Tamil
film
Anbe
Sivam
in
New
Delhi
on
January
9.
He
said
that
the
main
protagonist’s
role
in
the
film,
which
is
played
by
him,
was
inspired
by
Safdar’s
life.
He
also
announced
that
he
is
against
globalisation,
and
that
his
opposition
reflects
in
the
film.
Kamal
Haasan
wrote
the
story
and
screenplay
for
this
film,
which
is
scheduled
to
be
released
in
January
second
week.
The
screening
was
arranged
by
SAHMAT
in
Delhi.
Before
the
start
of
the
film
screening,
Kamal
Haasan
told
the
gathering
at
Siri
Fort
Auditorium
why
he
chose
not
to
go
for
the
usual
commercial
type
of
preview,
full
of
star
invitees.
He
said
it
would
be
only
befitting
that
this
film’s
preview
had
this
sort
of
audience.
Post
screening,
he
took
questions
from
the
audience
on
various
aspects
of
the
film.
When
questioned
by
a
person
as
to
how
could
he
make
a
film
about
strikes,
communism
and
street
theatre
in
year
2003,
Kamal
Haasan
replied
by
narrating
a
scene
in
the
film:
When
asked
by
his
friend
why
he
was
talking
of
communism
when
Soviet
Union
was
no
longer
there,
Sivam
poses
a
counter-question
“If
tomorrow
there
is
no
Taj
Mahal,
will
people
stop
falling
in
love?”
The
friend
replies:
“But
that
is
about
human
feeling”,
to
which
Sivam
says:
“Communism
is
also
about
human
feeling.”
While
referring
to
the
street
play
scene
in
the
film,
which
is
in
the
form
of
an
eight
minute
long
song-dance
sequence,
a
questioner
asked
whether
it
is
proper
to
criticise
globalisation.
To
this
Kamal
Haasan
replied
in
an
emphatic
manner
saying
“I
wanted
to
make
a
personal
statement
against
globalisation.
That
is
how
I
feel
about
globalisation.
One
need
not
be
an
ex-President
of
India
to
take
a
stand
on
globalisation.”
In
the
madness
of
life,
one
man
has
the
clarity
to
seek
out
the
wonders
of
the
next
moment!
He
is
NallaSivam
–
a
man
whose
life
takes
dramatic
turns
and
poses
challenges
–
both
of
the
physical
and
emotional
kind.
However,
his
love
for
humanity
triumphs
over
many
a
heart
–
including
that
of
Anbarasu,
a
yuppie,
ad-filmmaker.
Ars,
as
he
always
insisted
to
be
called,
is
a
role
model
for
those
with
an
‘Eldorado
Dream’,
and
Sivam,
an
activist-artiste
is
the
voice
of
toiling
masses.
While
Sivam
carries
a
cheque
of
Rs
32
lakhs,
which
is
the
compensation
money
for
the
families
of
workers
from
Tamilnadu,
who
died/got
injured
during
a
dam
construction
site
in
Orissa,
Ars,
on
his
way
from
Bhubaneswar
has
to
carry
himself
to
Chennai
for
his
marriage
to
Saras!
The
narrative
is
in
the
form
of
a
journey
–
Sivam’s
Marxist
ideals
and
street
theatre
background
being
a
direct
contrast
to
Ars’s
capitalist
beliefs.
Their
series
of
experiences
makes
Ars
realize
Sivam’s
concept
of
universal
love
and
he
begins
to
see
the
world
with
a
different
perspective.
This
feeling
of
friendship
culminates
in
Ars
offering
Sivan,
a
place
in
his
home
as
well
–
as
his
brother!
Anbe
Sivan
attempts
to
project
man’s
ability
to
find
higher
values
in
humanity.